I'm not sure how I missed this, but whatev's. Steve Huff, the man of none too few adjectives, has piled praise upon the RX1.
We already knew that Steve loved the RX1. He loved his short time with the camera earlier this year. He loved the very concept of the camera. Indeed, after his high praise, it appears that the RX1 is destined to become his go-to camera.
I can't help but be excited about the RX1 as well. It's far beyond my current budget, especially since I want to buy the Olympus 75mm and Voigtlander 25mm within the next three or four months. That does quite a bit to kill one's budget for camera gear. Still, the nanosecond I can afford the camera, I can see few reasons to prevent myself from totally and completely splurging.
Steve's work-up includes a expansive set of photos showing off how fantastic the included lens is. It seems quite sharp even wide-open, which puts it among the very best 35mm lenses available. This is wonderful news, since Canon, Nikon, and Sony alike all have pretty piss-poor examples of the classic lens in their systems.
And we cannot forget that the RX1 is completely unique. The only other camera out there that will achieve similar results in a similarly-sized body is Leica. Every other full-frame camera is large and sporting a focal plane shutter. The Fuji X Pro 1 may provide similar ISO performance, and the E-M5 may have faster lenses, but neither of them can produce the subtle and dreamy gradations of bokeh that a FF camera will produce.
Steve says that a noise comparison is incoming, but he did a quick comparison with the Leica Monocrom (which is just laughably overpriced), and the lens is right on par. Obviously, the Monocrom is sharper, but for the same reason that the Sigma Foveon is sharper: every photosite is a pixel. It is an illustrious beginning to what will undoubtedly become a seminal camera.